Michael Jackson tries to reclaim his throne as the King of Pop When you have been in
show business 35 years — when you been a legend in show business for much of that
time — you know how to make an entrance. At least Michael Jackson does.
The King of Pop doesn't simply arrive anywhere, and his appearance in a lush room at
the pricey Beverly Hills Hotel is no exception. He is two hours late. He is preceded by
his bodyguard, whose security check includes peeks behind curtains and into closets
and bathrooms. Then the guard dims the lights. When the door finally swings open, it
is not Jackson but two small children who bolt into the room: Prince, 4, whose dark
hair is bleached blond, and Paris, 3, whose brown curls tumble to her shoulders.
Finally, their father arrives.
His image is ubiquitous — his sculpted face and doe eyes peer at us from supermarket stands seemingly daily — and yet unique. He's slight, wearing a blue military shirt
and his trademark short black pants and white socks. And then there is his nose. His famous nose, which, on this day, is covered by gray bandages.
"It is analgesic tape," he says, quietly but good-naturedly. "For allergies."and his trademark short black pants and white socks. And then there is his nose. His famous nose, which, on this day, is covered by gray bandages.
With his children playing on the floor by his feet, he talks about his life, politely and
with an amazing sense of poise and self-possession. He is a man at times indignant
about the press but able to laugh at himself, which may be the most surprising thing
about Michael Jackson. At one point, he doubles over giggling at the thought of how
at concerts women have fainted in his presence.
And yet he is apprehensive. At 43, Jackson is at a crossroads in his career, urgently
trying to transform himself from '80s icon to a player in the current pop scene. His
first step in a climb back to the top were the two recent concerts at Madison Square
Garden, his first public performances in America in 12 years. They have been edited
into a two-hour television special titled Michael Jackson: 30th Anniversary
Celebration, airing Tuesday, November 13 (CBS, 9 pm/ET). He is anxiously awaiting
reaction to his latest album, Invincible (at press time, its first single, "You Rock My
World," had reached No. 10 on Billboard's Hot 100 chart, while the video has been an
MTV staple). In addition, he has written and is producing a "We Are the World"-type
song called "What More Can I Give"; its proceeds will benefit victims of the
September 11 attacks. And he will make a cameo appearance in next summer's film
sequel Men in Black 2.
In the end, it was Michael Jackson the father, a man deeply connected to his children
and his own childhood, who left the most lasting impression.
TV GUIDE: This television special celebrates your long career. Do you remember
the first time you ever stepped onstage?
MICHAEL JACKSON: I was 5 years old. And it was at a public-school recital. We
had to wear white shirts and short knickers. And I remember them saying, "Little
Michael Jackson is coming up to sing 'Climb Every Mountain.'" I got the biggest
applause. When I went to my seat my grandfather and mother were crying. They said,
"[We] can't believe how beautiful you sound." That's the first one I remember.
TVG: It's rare for you to do a TV special.
MJ: I've turned down so many because I just don't like to go on television. I get
embarrassed. So I'll do a performance, but I won't watch it until almost a year or two
later because I'm always disappointed in something I did.
TVG: The concerts that were filmed for this special were packed with big stars. That
couldn't have been disappointing.
MJ: The [second] show was good. [The first show] was horrible because, technically,
there were a lot of breakdowns and intermissions in between each act. It was very
difficult. The audience was waiting and waiting and waiting.
TVG: What does it feel like when you're dancing onstage?
MJ: I am a slave to the rhythm. I am a palette. I just go with the moment. You've got
to do it that way because if you're thinking, you're dead. Performing is not about
thinking; it's about feeling.
TVG: Do you plan the dance steps?
MJ: Certain steps are set with my brothers. But when I'm alone, it's all improvised.
Nothing is planned, ever. All the dance schools now teach kids to count, and that's
completely wrong.
TVG: What do you think about current pop groups like 'N Sync? Are they imitating
you?
MJ: I think they're very good singers. I know them very well, and we hang out every
once in a while and laugh and play. I have no problem with them imitating [me]. It's a
compliment. Everybody has to start out looking up to someone. For me it was James
Brown, Sammy Davis Jr., Jackie Wilson, Fred Astaire, Gene Kelly.
TVG: The special features an appearance by Marlon Brando. How did he get
involved?
MJ: Brando's a good friend of mine. I've known him for about 20 years. He comes to
my house all the time. He loves to play with the kids. I play with his grandchildren,
and we love to watch movies.
TVG: Who else do you spend time with?
MJ: Elizabeth [Taylor], Brando, Gregory Peck, these are very close friends of mine.
Either they're much older than me or much younger. I've never had real contact with a
person on my age level. I think this happened because all my life I played clubs, since
I was 5 years old. I saw people drunk, fighting, and it was just disgusting. When
people say to me today,
"Hey, let's go to a club," I go, "No way." If I go, it's not a party for me — too many
autographs and photographs.
TVG: Was that true at your post concert party at [the] Tavern on the Green
restaurant?
MJ: It was worse then — I couldn't breathe because everybody [was crowding
around].
TVG: And you fainted?
MJ: That's a rumor. It was sensationalism. [The press] made it up. As usual. They
love doing that to me.
TVG: What did happen?
MJ: Nothing. I didn't faint. Not even close. [The press has] done this for so long, and
it's disgusting. [Gently, to Paris, who is skipping around the coffee table] Paris, you
can't make noise. You can't — no, don't bump the table. [The reporters are] tape
recording.
TVG: Liza Minnelli also sang at one of the concerts. You two seem very close.
MJ: I speak to Liza every week. We come from the same planet. Like Elizabeth does.
TVG: What planet is that?
MJ: It's called Capricious Anomaly in the Sea of Space [laughs]. Gee, I can't name it.
Just beyond our solar system, I think. But this is true, and this is not to be taken
lightly: People who grew up as child stars have the same thing in common. You're
cute, they love you; you go through the awkward stage, they don't accept you
anymore. Very few make the transition to adult star. And most of them become selfdestructive.
And it's very sad.
TVG: How did you avoid self-destruction?
MJ: I think religion entered in.
TVG: Are you still a Jehovah's Witness?
MJ: Yeah. I've done, you know, we call it pioneering. We do 90 hours a month. I
don't do as much now because I'm busy. You go door to door. I wear a fat suit, popbottle
glasses, mustache, buckteeth and, like, an Afro wig. And I knock on the door
and say we're Jehovah's Witnesses.
TVG: This special is in conjunction with the launch of your seventh solo album,
Invincible. Is this your comeback?
MJ: I don't see it as a comeback. I only do an album every four years. It's just that
I've been on hiatus, writing.
TVG: The album features rap stars Will Smith and Jay-Z. It's hard to imagine you
working with Jay-Z, whose image is a bit rougher than yours.
MJ: [He] was just so sweet. And you hear these crazy stories about something [some
of these rappers] did the next day, and it's hard to believe. I always see them to be
very kind. Perfect gentlemen.
TVG: What's the message of "Unbreakable," the first song on the album?
MJ: That [I'm] invincible, that I've been through it all. You can't hurt me. Knock me
down, I get back up. [To Prince, who begins to bang his Snapple lemonade on the
coffee table] See the noise you're making? You've got to be nice and quiet.
TVG: You are known for being eccentric. Did growing up in the limelight have
something to do with that?
MJ: [Smiling coyly] It depends on what kind of eccentricities you're talking about.
TVG: People call you Wacko Jacko.
MJ: But that's not nice. They do that because they're jealous. I haven't done anything.
I go to hospitals and orphanages. And we take huge bags of toys. I spend thousands of
dollars. What's wacko about that?
TVG: Because of the way you are portrayed in the press, people wonder, "Is he
strange?"
MJ: [Exasperated] I did Oprah. I did Diane Sawyer. [People] saw me. [The press] is
just completely jealous. And it's just one of those things that I have to deal with.
TVG: How do you deal with it?
MJ: I turn it into positive energy. And I write about it, I dance about; it's in my
movement, it's in the expression on my face. And it becomes a part of me, part of my
creation. And I try not to let it get to me. Because if you do, you'll go crazy.
TVG: Your first video, for the single "You Rock My World," is actually a 15-minute
short film. How did you come up with its gangster theme?
MJ: I don't know — the idea just kind of happened. In Cuba. Hot summer night. A
club run by these hoods. I just wish [MTV] would show the long version. The short
version I don't like at all. It's not entertaining enough.
TVG: How much are you involved in the video-making process?
MJ: When you say Michael Jackson, people always think of an entertainer. They
don't think of the fact that I write songs. I'm not trying to brag, but I write them, and I
direct a lot of [the videos]. I don't think [younger artists] are aware of those things,
which I think would be inspiring for them.
TVG: When you were making this video, did you think, "I want this to be as good as
the one for Thriller"?
MJ: No, because I know I didn't have the time to execute that. There are ones that are
coming up that will be better.
TVG: Do you let your kids watch MTV?
MJ: At a certain age I will, not now. They are going to have to be 15 or 16.
TVG: Do you watch TV?
MJ: I love PBS, the Discovery Channel, The Simpsons. I love Sesame Street. I could
watch it for hours. But my favorite show is Malcolm in the Middle. It reminds me so
much of [my brothers and me] when we were little.
TVG: Which character do you relate to?
MJ: Malcolm. Mainly because he tries to fit into society, and he doesn't — like E.T.
or Bambi, he can't adjust to other people's concepts. And I feel like that a lot of times.
Once I'm offstage, I feel awkward, like this is not where I'm supposed to be.
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